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"Ciyaartoyda kaararka" Cezanne

Waxaa dhejiyay:
La cusboonaysiiyay:
Rinjiyeynta "Ciyaartoyda Kaadhka", Cezanne waxaa sawiray dad beeraley ah, dadka deggan miyiga. Tani waa mid ka mid ah kiisas yar markii xubnaha aan qoyska ahayn ay isu soo taageen fannaaniinta. Ka dib oo dhan, si tartiib tartiib ah ayuu u shaqeeyay. 1-2 sano oo rinjiyeyn kasta ah. Laakiin dadkan fudud waxay garanayeen sida loo sawiro wakhti dheer.

Akhri xaqiiqooyin badan oo xiiso leh oo ku saabsan rinjiyeynta maqaalka "7 Post-Impressionist Masterpieces ee Musée d'Orsay".

goobta "Diary of rinjiyeynta. Sawir kasta waxa ku jira sheeko, qaddar, sir.”

» data-medium-file=»https://i0.wp.com/www.arts-dnevnik.ru/wp-content/uploads/2016/10/image-4.jpeg?fit=595%2C500&ssl=1″ data-large-file=»https://i0.wp.com/www.arts-dnevnik.ru/wp-content/uploads/2016/10/image-4.jpeg?fit=900%2C756&ssl=1″ loading=»lazy» class=»wp-image-4210 size-full» title=»«Игроки в карты» Сезанна»Орсе, Париж» src=»https://i2.wp.com/arts-dnevnik.ru/wp-content/uploads/2016/10/image-4.jpeg?resize=900%2C756&ssl=1″ alt=»«Игроки в карты» Сезанна» width=»900″ height=»756″ sizes=»(max-width: 900px) 100vw, 900px» data-recalc-dims=»1″/>

Paul Cezanne. Ciyaartoyda kaararka. 1890-1895 Musee d'Orsay, Paris.

Paul Cezanne waxaa sawiray dadka tuulada. Tani waa kiis naadir ah marka moodooyinka aysan ahayn xubno ka tirsan qoyska fannaanka. Ka dib oo dhan, si tartiib tartiib ah ayuu u shaqeeyay. 1-2 sano hal rinjiyeyn!

Waxaa laga yaabaa in Cezanne ay sabab u dooratay goobta kaadhadhka. Inta lagu jiro ciyaarta turubka, dadku waxay fadhiyaan waqti dheer oo ku filan hal boos. Intaa waxaa dheer, beeralaydu waxay garanayeen sida dulqaadka loo muujiyo.

Muddo 5 sano ah, Cezanne wuxuu abuuray 5 rinjiyeyaal leh ciyaartoyda kaararka. Mid ka mid ah kuwa ugu caansan waa Musee d'Orsay ee Paris (sida sawirka ugu weyn).

Waxaa jira "ciyaartoy" New York iyo London. Si dhab ah u kala firirsan adduunka oo dhan!

"Ciyaartoyda kaararka" Cezanne
Paul Cezanne. Ciyaartoyda kaararka. 1890-1895 Bidix: Metropolitan Museum of Art, New York. Midig: Cortot Institute of Art, London.

Laakin dib ugu noqo shaqada Paris.

Rinjiyeynta "Ciyaartoyda Kaadhka", Cezanne waxaa sawiray dad beeraley ah, dadka deggan miyiga. Tani waa mid ka mid ah kiisas yar markii xubnaha aan qoyska ahayn ay isu soo taageen fannaaniinta. Ka dib oo dhan, si tartiib tartiib ah ayuu u shaqeeyay. 1-2 sano oo rinjiyeyn kasta ah. Laakiin dadkan fudud waxay garanayeen sida loo sawiro wakhti dheer.

Akhri xaqiiqooyin badan oo xiiso leh oo ku saabsan rinjiyeynta maqaalka "7 Post-Impressionist Masterpieces ee Musée d'Orsay".

goobta "Diary of rinjiyeynta. Sawir kasta waxa ku jira sheeko, qaddar, sir.”

» data-medium-file=»https://i0.wp.com/www.arts-dnevnik.ru/wp-content/uploads/2016/10/image-4.jpeg?fit=595%2C500&ssl=1″ data-large-file=»https://i0.wp.com/www.arts-dnevnik.ru/wp-content/uploads/2016/10/image-4.jpeg?fit=900%2C756&ssl=1″ loading=»lazy» class=»wp-image-4210 size-full» title=»«Игроки в карты» Сезанна»Орсе, Париж» src=»https://i2.wp.com/arts-dnevnik.ru/wp-content/uploads/2016/10/image-4.jpeg?resize=900%2C756&ssl=1″ alt=»«Игроки в карты» Сезанна» width=»900″ height=»756″ sizes=»(max-width: 900px) 100vw, 900px» data-recalc-dims=»1″/>

Paul Cezanne. Ciyaartoyda kaararka. 1890-1895 Musee d'Orsay, Paris.

Sida had iyo jeer, nidaamka midabka Cezanne waa mid cajiib ah. Jaakada ciyaartoyga ee dhanka bidix ma aha oo kaliya brown. Waxay ka timi cagaar, guduud, stroke beige.

Koofiyadda ciyaaryahanku dhanka midig waa caddaan, jaalle, casaan iyo buluug.

Cezanne ma daba gelin xaqiiqada.

Tirooyinka ragga ayaa si xoog leh u dheereeyay. Miiska ayaa qalloocan. Lugtiisa midig gebi ahaanba lama sawirin. Sidii fanaanku buraash ku dul ordayay shiraacii, rinjigiina waa ka dhamaaday.

Sababta uu miiska u rinjiyeeyay qaabkan waa ay adag tahay in la fahmo. Laakiin waan isku dayi doonaa.

Xaqiiqdu waxay tahay in Cezanne uu runtii rabay inuu gudbiyo nuxurka mawduuca. Sida uu yahay. Iyadoo aan dhalanteed lahayn iyo dusha sare ee qaab muuqaal toos ah iyo midabyo siman oo dhalaalaya.

Tan waxa uu xoogaa u dhow yahay sawir-qaadista.

"Ciyaartoyda kaararka" Cezanne

Bal u fiirso kitaabka gacanta quduusiinta ku jira. Farshaxanku waxa uu u tusay sidii dhinacyo kala duwan: dhinac iyo xagga sareba.

Si aad u hubiso inaad aragto dhumucdeeda. Isla markaana, culayska la dareemay.

"Ciyaartoyda kaararka" Cezanne
Icon "Nikola Lipensky". 1294 (loo sameeyay kaniisadda keniisadda ee St. Nicholas on Lipno). Matxafka Novgorod-Reserve, Veliky Novgorod.

Cezanne waxa kale oo uu miiska u rinjiyeeyay si uu u gudbiyo muuqaalkiisa, hantidiisa dhabta ah. Sidaa darteed, wuxuu ka muujinayaa dhinaca iyo korka labadaba. Sidaa awgeed qallooca iyo dayaca.

Waxyaabaha ugu yaabka badan ayaa ah in ay u badan tahay in Cezanne uusan ku arkin astaanta qaabka Byzantine. Wuxuuna ku yimid qaabkan qoraalka ah isagoon la kulmin saameyntooda.

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