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"Faraska cad" Gauguin

Waxaa dhejiyay:
La cusboonaysiiyay:
Gauguin kama baqin inuu tijaabiyo midabka. Gaar ahaan xilligiisii ​​Tahitian. Biyo leh midab liimi ah. Faraskiisu waa cagaar cagaar ah hadhka caleenta cufan. By habka, waxay ahayd sababtoo ah nidaamkan midabka ah in macaamilka rinjiyeynta uu diiday inuu iibsado shaqada. Farasku wuxuu ula ekaaday cagaar.

Ka akhri wax badan oo ku saabsan rinjiyeynta maqaalka "7 Post-Impressionist Masterpieces ee Musée d'Orsay".

goobta "Diary of rinjiyeynta. Sawir kasta waxa ku jira sheeko, qaddar, sir”

» xogta-dhexdhexaad-file=»https://i1.wp.com/www.arts-dnevnik.ru/wp-content/uploads/2016/10/image-5.jpeg?fit=595%2C931&ssl=1″ xogta-large-file=”https://i1.wp.com/www.arts-dnevnik.ru/wp-content/uploads/2016/10/image-5.jpeg?fit=719%2C1125&ssl=1″ soo dejinta = "lazy" class = "wp-image-4212 size-full" title=""Faraska Cad" ee Gauguin"Orsay, Paris" src="https://i1.wp.com/arts-dnevnik.ru/ wp- content/uploads/2016/10/image-5.jpeg?resize=719%2C1125&ssl=1″ alt=”“Faraska cad” ee Gauguin” width=”719″ height=”1125″ size=”(max- ballac: 719px ) 100vw, 719px" data-recalc-dims="1″/>

Paul Gauguin. Faras cad. 1898kii Musee d'Orsay, Paris

Paul Gauguin (1848-1903) wuxuu sannadihii ugu dambeeyay noloshiisa ku qaatay Jasiiradaha Polynesian. Half-Peruvian laftiisa, wuxuu mar go'aansaday inuu ka cararo ilbaxnimada. Sida ay ula muuqatay, jannada dhexdeeda.

Janadii waxay isu rogtay faqri iyo cidlo. Si kastaba ha ahaatee, waxay ahayd halkan in uu abuuray sawiradiisa ugu caansan. Oo uu ku jiro faraska cad.

Farasku wuxuu ka cabbaa durdurka. Dhabarka dambe waxaa jooga laba Tahiti oo qaawan oo faras saaran. Ma jiro koorasyo ​​ama xajin.

Gauguin, sida van Gogh, kama cabsanin inay tijaabiso midabka. Qulqulaya midab liimi ah. Farasku wuxuu leeyahay midab cagaar ah oo ka yimid hooska caleenta ku soo dhacaysa.

Gauguin sidoo kale si ula kac ah ayuu sawirka ka dhigayaa mid siman. Ma jiro mugga caadiga ah iyo dhalanteed ee booska!

Taas beddelkeeda, farshaxanku wuxuu u muuqdaa inuu xoogga saarayo dusha siman ee canvas. Mid ka mid fuushanaa ayaa u ekaa mid geed ka laadlaadsan. Midka labaad “wuxuu ku booday” dhabarka faras kale.

Saamaynta waxaa la abuuray iyada oo loo marayo qaabaynta iftiinka-hadhka qallafsan: iftiinka iyo hooska jirka ee Tahitian waxay ku jiraan qaab istaroog oo gooni ah, iyada oo aan lahayn isbeddel jilicsan.

Oo ma jiraan wax cidhiidhi ah, taas oo sidoo kale kor u qaadaysa aragtida sawir siman.

Midabaynta "barbarriga" noocan oo kale ah iyo flatness ma ahayn mid loo baahan yahay. Gauguin aad buu u liitay.

"Faraska cad" Gauguin

Maalin maalmaha ka mid ah, mid ka mid ah deyn-bixiyeyaashiisa, milkiilaha farmasiyada maxalliga ah, ayaa damcay inuu taageero fannaanka. Wuxuuna iga codsaday inaan u iibiyo sawir-gacmeed. Laakiin iyadoo shardi ah in ay noqon doonto goob fudud.

Gauguin wuxuu keenay faras cad. Waxa uu u arkay mid fudud oo la fahmi karo. Inkasta oo, habka, xayawaan keli ah oo ka mid ah Tahitian macnaheedu waa nafta. Midabka cadna waxa uu la xidhiidhin jiray dhimashada. Laakiin waxaa suurtagal ah in macmiilka rinjiyeynta uusan garaneynin astaantan maxaliga ah.

Ma uusan aqbalin sawirka sabab kale.

Farasku aad buu cagaar u ahaa! Wuxuu doorbidi lahaa inuu arko faras cad oo u dhigma darajada.

Haddii kaliya uu farmashiistahaasi ogaa in hadda kan Cagaaran, ama halkii faraska cad, ay siin lahaayeen dhowr boqol oo milyan oo doolar!

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